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As he ran onto the slippery dock, avoiding the most rotten pieces, he stripped off his bloodstained shirt, then his shoes and socks.

  A powerful swell struck the ship and it shuddered and sank a few more inches into the gray, indifferent water.

  He shouted, “Elizabeth?”

  No response.

  Shaw assessed: there was a sixty percent chance she was on board. Fifty percent she was alive after hours in the waterlogged cabin.

  Whatever the percentages, there was no debate about what came next. He stuck an arm beneath the surface and judged the temperature to be about forty degrees. He’d have thirty minutes until he passed out from hypothermia.

  Let’s start the clock, he thought.

  And dove in.

  * * *

  —

  An ocean isn’t liquid. It’s flowing stone. Crushing.

  Sly too.

  Shaw’s intention was to wrestle open the forward door to the cabin, then swim out with Elizabeth Chabelle. The water had a different idea. The minute he surfaced for breath he was tossed toward one of the oak pilings, from which danced lacy flora, delicate thin green hairs. He held up a hand to brace himself as he was flung toward the wood. His palm slid off the slimy surface and his head struck the post. A burst of yellow light filled his vision.

  Another wave lifted and flung him toward the pier once more. This time he was just able to avoid a rusty spike. Rather than fighting the current to return to the boat—about eight feet away—he waited for the outflow that would carry him to the vessel. An upward swell took him and this time he gigged his shoulder on the spike. It stung sharply. There’d be blood.

  Sharks here?

  Never borrow trouble . . .

  The water receded. He kicked into the flow, raised his head, filled his lungs and dove, swimming hard for the door. The salty water burned his eyes but he kept them wide; the sun was low and it was dark here. He spotted what he sought, gripped the metal handle and twisted. The handle moved back and forth yet the door wouldn’t open.

  To the surface, more air. Back under again, holding himself underwater with the latch in his left hand, and feeling for other locks or securing fixtures with his right.

  The shock and pain of the initial plunge had worn off, but he was shivering hard.

  Ashton Shaw had taught his children how to prepare for cold-water survival—dry suit, number one. Wet suit, second choice. Two caps—heat loss is greatest through the skull, even with hair as thick as Shaw’s. Ignore extremities; you don’t lose heat through fingers or toes. Without protective clothing, the only solution is to get the hell out as fast as you can before hypothermia confuses, numbs and kills.

  Twenty-five minutes left.

  Another attempt to wrench open the door to the cabin. Another failure.

  He thought of the windshield overlooking the bow deck. The only way to get her out.

  Shaw stroked toward the shore and dove, seizing a rock big enough to shatter glass but not so heavy it would pull him down.

  Kicking hard, rhythmically, timing his efforts to the waves, he returned to the boat, whose name he noticed was Seas the Day.

  Shaw managed to climb the forty-five-degree incline to the bow and perch on the upward tilting front of the cabin, resting against the murky four-by-three-foot window.

  He peered inside but spotted no sign of the thirty-two-year-old brunette. He noted that the forward part of the cabin was empty. There was a bulkhead halfway toward the stern, with a door in the middle of it and a window about head height, the glass missing. If she were here, she’d be on the other side—the one now largely filled with water.

  He lifted the rock, sharp end forward, and swung it against the glass, again and again.

  He learned that whoever had made the vessel had fortified the forward window against wind and wave and hail. The stone didn’t even chip the surface.

  And Colter Shaw learned something else too.

  Elizabeth Chabelle was in fact alive.

  She’d heard the banging and her pale, pretty face, ringed with stringy brown hair, appeared in the window of the doorway between the two sections of the cabin.

  Chabelle screamed, “Help me!” so loudly that Shaw could hear her clearly though the thick glass separating them.

  “Elizabeth!” he shouted. “There’s help coming. Stay out of the water.”

  He knew the help he promised couldn’t possibly arrive until after the ship was on the bottom. There was no way of saying that just now.

  It might be possible for anyone else to fit through the broken window inside and climb into the forward, and drier, half of the cabin.

  But not Elizabeth Chabelle.

  Her kidnapper had, by design or accident, chosen to abduct a woman who was seven and a half months pregnant; she couldn’t possibly fit through the frame.

  Chabelle disappeared to find a perch somewhere out of the freezing water and Colter Shaw lifted the rock to begin pounding on the windshield once more.

  ABOUT THE AUTHOR

  Jeffery Deaver is the #1 international bestselling author of more than thirty-five novels, three collections of short stories, and a nonfiction law book. His books are sold in 150 countries and translated into twenty-five languages. His first novel featuring Lincoln Rhyme, The Bone Collector, was made into a major motion picture starring Denzel Washington and Angelina Jolie. He's received or been shortlisted for a number of awards around the world, including Novel of the Year by the International Thriller Writers and the Steel Dagger from the Crime Writers' Association in the United Kingdom. In 2014, he was the recipient of three lifetime achievement awards. A former journalist, folksinger, and attorney, he was born outside of Chicago and has a bachelor of journalism degree from the University of Missouri and a law degree from Fordham University.

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