The Coffin Dancer Page 2

  "It didn't need to be cleaned. I can't find anything."

  "But then he doesn't have to find anything, does he?" Thom countered. "That's what I'm for."

  No mood for banter. "Well?" Rhyme cast his handsome face toward Sellitto. "What?"

  "Got a case. Thought you might wanta help."

  "I'm busy."

  "What's all that?" Banks asked, motioning toward a new computer sitting beside Rhyme's bed.

  "Oh," Thom said with infuriating cheer, "he's state of the art now. Show them, Lincoln. Show them."

  "I don't want to show them."

  More thunder but not a drop of rain. Nature, as often, was teasing today.

  Thom persisted. "Show them how it works."

  "Don't want to."

  "He's just embarrassed."

  "Thom," Rhyme muttered.

  But the young aide was as oblivious to threats as he was to recrimination. He tugged his hideous, or stylish, silk tie. "I don't know why he's behaving this way. He seemed very proud of the whole setup the other day."

  "Did not."

  Thom continued. "That box there"--he pointed to a beige contraption--"that goes to the computer."

  "Whoa, two hundred megahertz?" Banks asked, nodding at the computer. To escape Rhyme's scowl he'd grabbed the question like an owl snagging a frog.

  "Yep," Thom said.

  But Lincoln Rhyme was not interested in computers. At the moment Lincoln Rhyme was interested only in microscopic rings of sculpted calamari and the sand they nestled in.

  Thom continued. "The microphone goes into the computer. Whatever he says, the computer recognizes. It took the thing a while to learn his voice. He mumbled a lot."

  In truth Rhyme was quite pleased with the system--the lightning-fast computer, a specially made ECU box--environmental control unit--and voice-recognition software. Merely by speaking he could command the cursor to do whatever a person using a mouse and keyboard could do. And he could dictate too. Now, with words, he could turn the heat up or down and the lights on or off, play the stereo or TV, write on his word processor, and make phone calls and send faxes.

  "He can even write music," Thom said to the visitors. "He tells the computer what notes to mark down on the staff."

  "Now that's useful," Rhyme said sourly. "Music."

  For a C4 quad--Rhyme's injury was at the fourth cervical vertebra--nodding was easy. He could also shrug, though not as dismissingly as he'd have liked. His other circus trick was moving his left ring finger a few millimeters in any direction he chose. That had been his entire physical repertoire for the past several years; composing a sonata for the violin was probably not in the offing.

  "He can play games too," Thom said.

  "I hate games. I don't play games."

  Sellitto, who reminded Rhyme of a large unmade bed, gazed at the computer and seemed unimpressed. "Lincoln," he began gravely. "There's a task-forced case. Us 'n' the feds. Ran into a problem last night."

  "Ran into a brick wall," Banks ventured to say.

  "We thought . . . well, I thought you'd want to help us out on this one."

  Want to help them out?

  "I'm working on something now," Rhyme explained. "For Perkins, in fact." Thomas Perkins, special agent in charge of the Manhattan office of the FBI. "One of Fred Dellray's runners is missing."

  Special Agent Fred Dellray, a longtime veteran with the Bureau, was a handler for most of the Manhattan office's undercover agents. Dellray himself had been one of the Bureau's top undercover ops. He'd earned commendations from the director himself for his work. One of Dellray's agents, Tony Panelli, had gone missing a few days earlier.

  "Perkins told us," Banks said. "Pretty weird."

  Rhyme rolled his eyes at the unartful phrase. Though he couldn't dispute it. The agent had disappeared from his car across from the Federal Building in downtown Manhattan around 9 P.M. The streets weren't crowded but they weren't deserted either. The engine of the Bureau's Crown Victoria was running, the door open. There was no blood, no gunshot residue, no scuff marks indicating struggle. No witnesses--at least no witnesses willing to talk.

  Pretty weird indeed.

  Perkins had a fine crime scene unit at his disposal, including the Bureau's Physical Evidence Response Team. But it had been Rhyme who'd set up PERT and it was Rhyme whom Dellray had asked to work the scene of the disappearance. The crime scene officer who worked as Rhyme's partner had spent hours at Panelli's car and had come away with no unidentified fingerprints, ten bags of meaningless trace evidence, and--the only possible lead--a few dozen grains of this very odd sand.

  The grains that now glowed on his computer screen, as smooth and huge as heavenly bodies.

  Sellitto continued. "Perkins's gonna put other people on the Panelli case, Lincoln, if you'll help us. Anyway, I think you'll want this one."

  That verb again--want. What was this all about?

  Rhyme and Sellitto had worked together on major homicide investigations some years ago. Hard cases--and public cases. He knew Sellitto as well as he knew any cop. Rhyme generally distrusted his own ability to read people (his ex-wife, Blaine, had said--often, and heatedly--that Rhyme could spot a shell casing a mile away and miss a human being standing in front of him) but he could see now that Sellitto was holding back.

  "Okay, Lon. What is it? Tell me."

  Sellitto nodded toward Banks.

  "Phillip Hansen," the young detective said significantly, lifting a puny eyebrow.

  Rhyme knew the name only from newspaper articles. Hansen--a large, hard-living businessman originally from Tampa, Florida--owned a wholesale company in Armonk, New York. It was remarkably successful and he'd become a multimillionaire thanks to it. Hansen had a good deal for a small-time entrepreneur. He never had to look for customers, never advertised, never had receivables problems. In fact, if there was any downside to PH Distributors, Inc., it was that the federal government and New York State were expending great energy to shut it down and throw its president in jail. Because the product Hansen's company sold was not, as he claimed, secondhand military surplus vehicles but weaponry, more often than not stolen from military bases or imported illegally. Earlier in the year two army privates had been killed when a truckload of small arms was hijacked near the George Washington Bridge on its way to New Jersey. Hansen was behind it--a fact the U.S. attorney and the New York attorney general knew but couldn't prove.

  "Perkins and us're hammering together a case," Sellitto said. "Working with the army CID. But it's been a bitch."

  "And nobody ever dimes him," said Banks. "Ever."

  Rhyme supposed that, no, no one would dare snitch on a man like Hansen.

  The young detective continued. "But finally, last week, we got a break. See, Hansen's a pilot. His company's got warehouses at Mamaroneck Airport--that one near White Plains? A judge issued paper to check 'em out. Naturally we didn't find anything. But then last week, it's midnight? The airport's closed but there're some people there, working late. They see a guy fitting Hansen's description drive out to this private plane, load some big duffel bags into it, and take off. Unauthorized. No flight plan, just takes off. Comes back forty minutes later, lands, gets back into his car, and burns rubber out of there. No duffel bags. The witnesses give the registration number to the FAA. Turns out it's Hansen's private plane, not his company's."

  Rhyme said, "So he knew you were getting close and he wanted to ditch something linking him to the killings." He was beginning to see why they wanted him. Some seeds of interest here. "Air Traffic Control track him?"

  "LaGuardia had him for a while. Straight out over Long Island Sound. Then he dropped below radar for ten minutes or so."

  "And you drew a line to see how far he could get over the Sound. There're divers out?"

  "Right. Now, we knew that soon as Hansen heard we had the three witnesses he was gonna rabbit. So we managed to put him away till Monday. Federal Detention."

  Rhyme laughed. "You got a judge to buy probable cause on t
hat?"

  "Yeah, with the risk of flight," Sellitto said. "And some bullshit FAA violations and reckless endangerment thrown in. No flight plan, flying below FAA minimums."

  "What'd Mis-ter Han-sen say?"

  "He knows the drill. Not a word to the arrestings, not a word to the prosecutors. Lawyer denies everything and's preparing suit for wrongful arrest, yadda, yadda, yadda . . . So if we find the fucking bags we go to the grand jury on Monday and, bang, he's away."

  "Provided," Rhyme pointed out, "there's anything incriminating in the bags."

  "Oh, there's something incriminating."

  "How do you know?"

  "Because Hansen's scared. He's hired somebody to kill the witnesses. He's already got one of 'em. Blew up his plane last night outside of Chicago."

  And, Rhyme thought, they want me to find the duffel bags . . . Fascinating questions were now floating into his mind. Was it possible to place the plane at a particular location over the water because of a certain type of precipitation or saline deposit or insect found crushed on the leading edge of the wing? Could one calculate the time of death of an insect? What about salt concentrations and pollutants in the water? Flying that low to the water, would the engines or wings pick up algae and deposit it on the fuselage or tail?

  "I'll need some maps of the Sound," Rhyme began. "Engineering drawings of his plane--"

  "Uhm, Lincoln, that's not why we're here," Sellitto said.

  "Not to find the bags," Banks added.

  "No? Then?" Rhyme tossed an irritating tickle of black hair off his forehead and frowned the young man down.

  Sellitto's eyes again scanned the beige ECU box. The wires that sprouted from it were dull red and yellow and black and lay curled on the floor like sunning snakes.

  "We want you to help us find the killer. The guy Hansen hired. Stop him before he gets the other two wits."

  "And?" For Rhyme saw that Sellitto still had not mentioned what he was holding in reserve.

  With a glance out the window the detective said, "Looks like it's the Dancer, Lincoln."

  "The Coffin Dancer?"

  Sellitto looked back and nodded.

  "You're sure?"

  "We heard he'd done a job in D.C. a few weeks ago. Killed a congressional aide mixed up in arms deals. We got pen registers and found calls from a pay phone outside Hansen's house to the hotel where the Dancer was staying. It's gotta be him, Lincoln."

  On the screen the grains of sand, big as asteroids, smooth as a woman's shoulders, lost their grip on Rhyme's interest.

  "Well," he said softly, "that's a problem now, isn't it?"

  . . . Chapter Three

  She remembered:

  Last night, the cricket chirp of the phone intruding on the drizzle outside their bedroom window.

  She'd looked at it contemptuously as if Bell Atlantic were responsible for the nausea and the suffocating pain in her head, the strobe lights flashing behind her eyelids.

  Finally she'd rolled to her feet and snagged the receiver on the fourth ring.

  "Hello?"

  Answered by the empty-pipe echo of a unicom radio-to-phone patch.

  Then a voice. Perhaps.

  A laugh. Perhaps.

  A huge roar. A click. Silence.

  No dial tone. Just silence, shrouded by the crashing waves in her ears.

  Hello? Hello? . . .

  She'd hung up the phone and returned to the couch, watched the evening rain, watched the dogwood bend and straighten in the spring storm's breeze. She'd fallen asleep again. Until the phone rang again a half hour later with the news about Lear Niner Charlie Juliet going down on approach and carrying her husband and young Tim Randolph to their deaths.

  Now, on this gray morning, Percey Rachael Clay knew that the mysterious phone call last night had been from her husband. Ron Talbot--the one who'd courageously called to deliver the news of the crash--had explained he'd patched a call through to her at around the time the Lear had exploded.

  Ed's laugh . . .

  Hello? Hello?

  Percey uncorked her flask, took a sip. She thought of the windy day years ago when she and Ed had flown a pontoon-equipped Cessna 180 to Red Lake, Ontario, setting down with about six ounces of fuel left in the tank, and celebrated their arrival by downing a bottle of label-less Canadian whiskey, which turned out to give them both the most dire hangovers of their lives. The thought brought tears to her eyes now, as the pain had then.

  "Come on, Perce, enough of that, okay?" said the man sitting on the living room couch. "Please." He pointed to the flask.

  "Oh, right," her gravelly voice responded with controlled sarcasm. "Sure." And she took another sip. Felt like a cigarette but resisted. "What the hell was he doing calling me on final?" she asked.

  "Maybe he was worried about you," Brit Hale suggested. "Your migraine."

  Like Percey, Hale hadn't slept last night. Talbot had called him too with the news of the crash and he'd driven down from his Bronxville apartment to be with Percey. He'd stayed with her all night, helped her make the calls that had to be made. It was Hale, not Percey, who'd delivered the news to her own parents in Richmond.

  "He had no business doing that, Brit. A call on final."

  "That had nothing to do with what happened," Hale said gently.

  "I know," she said.

  They'd known each other for years. Hale had been one of Hudson Air's first pilots and had worked for free for the first four months until his savings ran out and he had to approach Percey reluctantly with a request for some salary. He never knew that she'd paid it out of her own savings, for the company didn't turn a profit for a year after incorporation. Hale resembled a lean, stern schoolteacher. In reality he was easygoing--the perfect antidote to Percey--and a droll practical joker who'd been known to roll a plane into inverted flight if his passengers were particularly rude and unruly and keep it there until they calmed down. Hale often took the right seat to Percey's left and was her favorite copilot in the world. "Privilege to fly with you, ma'am," he'd say, offering his imperfect Elvis Presley impersonation. "Thank you very much."

  The pain behind her eyes was nearly gone now. Percey had lost friends--to crashes mostly--and she knew that psychic loss was an anesthetic to physical pain.

  So was whiskey.

  Another hit from the flask. "Hell, Brit." She slumped into the couch beside him. "Oh, hell."

  Hale slipped his strong arm around her. She dropped her head, covered with dark curls, to his shoulder. "Be okay, babe," he said. "Promise. What can I do?"

  She shook her head. It was an answerless question.

  A sparse mouthful of bourbon, then she looked at the clock. Nine A.M. Ed's mother would be here any minute. Friends, relatives . . . There was the memorial service to plan . . .

  So much to do.

  "I've got to call Ron," she said. "We've got to do something. The Company . . . "

  In airlines and charters the word "Company" didn't mean the same as in any other businesses. The Company, cap C, was an entity, a living thing. It was spoken with reverence or frustration or pride. Sometimes with sorrow. Ed's death had inflicted a wound in many lives, the Company's included, and the injury could very well prove to be lethal.

  So much to do . . .

  But Percey Clay, the woman who never panicked, the woman who'd calmly controlled deadly Dutch rolls, the nemesis of Lear 23s, who'd recovered from graveyard spirals that would have sent many seasoned pilots into spins, now sat paralyzed on the couch. Odd, she thought, as if from a different dimension, I can't move. She actually looked at her hands and feet to see if they were bone white and bloodless.

  Oh, Ed . . .

  And Tim Randolph too, of course. As good a copilot as you'd ever find, and good first officers were rare. She pictured his young, round face, like a younger Ed's. Grinning inexplicably. Alert and obedient but firm--giving no-nonsense orders, even to Percey herself, when he had command of the aircraft.

  "You need some coffee," Hale announced, he
ading for the kitchen. "I'll getcha a whipped double mochaccino latte with steamed skim."

  One of their private jokes was about sissy coffees. Real pilots, they both felt, drink only Maxwell House or Folgers.

  Today, though, Hale, bless his heart, wasn't really talking about coffee. He meant: Lay off the booze. Percey took the hint. She corked the flask and dropped it on the table with a loud clink. "Okay, okay." She rose and paced through the living room. She caught sight of herself in the mirror. The pug face. Black hair in tight, stubborn curls. (In her tormented adolescence, during a moment of despair, she'd given herself a crew cut. That'll show 'em. Though naturally all this act of defiance did was to give the chahmin' girls of the Lee School in Richmond even more ammunition against her.) Percey had a slight figure and marbles of black eyes that her mother repeatedly said were her finest quality. Meaning her only quality. And a quality that men, of course, didn't give a shit about.

  Dark lines under those eyes today and hopeless matte skin--smoker's skin, she remembered from the years she went through two packs of Marlboros a day. The earring holes in her lobes had long ago grown closed.

  A look out the window, past the trees, into the street in front of the town house. She caught sight of the traffic and something tugged at her mind. Something unsettling.

  What? What is it?

  The feeling vanished, pushed away by the ringing of the doorbell.

  Percey opened the door and found two burly police officers in the entryway.

  "Mrs. Clay?"

  "Yes."

  "NYPD." Showing IDs. "We're here to keep an eye on you until we get to the bottom of what happened to your husband."

  "Come in," she said. "Brit Hale's here too."

  "Mr. Hale?" one of the cops said, nodding. "He's here? Good. We sent a couple of Westchester County troopers to his place too."

  And it was then that she looked past one of the cops, into the street, and the thought popped into her mind.

  Stepping around the policemen onto the front stoop.

  "We'd rather you stayed inside, Mrs. Clay . . . "